The more time you spend preparing to write a story, the less time you spend re-writing. Whether you are a plotter or a discovery writer - or somewhere in between -- you can find techniques that work for you - even if you're only planning on generating a few characters and figuring out a few plot points to get you started. But every project requires a different method of planning and presents a new set of problems. So the more planning tools in your toolbox, the better. This class gives students tons of options. In this course, students will work through exercises, worksheets, and questions to create a full plan for their stories. The course includes developing a unique premise for the story, then building compelling characters to take part in it. Students will also develop a fascinating world for the characters to inhabit. Students will learn several different methods for outlining a high-energy plot, and organizing all of the information into a cohesive whole. Students will participate in hands-on activities throughout class, and will have the opportunity to receive weekly feedback on their individual projects.

Material covered relates to modern writing theory, and discusses the structure of recently published works, and is suitable for students writing in all genres, including both commercial and literary fiction. The teaching method accommodates the needs of students who want to shape their work for publication, as well as those who are writing to create an heirloom, or for personal fulfilment. The instructor has published in both science fiction and mystery, and critiques manuscript partials in a number of genres for major writing conferences.

This is a hands-on class, with writing assignments (in-class and as homework) and assignments to apply observation skills to the real world and to evaluate elements of other books, films, etc. Worksheets used in this course series are from the instructor's textbook, Story Like a Journalist: a Workbook for Novelists. This book applies the 5-Ws and H from journalism theory to creating a deep story world with people and events that feel real enough to have been ripped from the headlines. The textbook is not required, but is recommended.